Bibliography (3) of

THE BIG PICTURE: A POST-JUNGIAN MAP OF GLOBAL CINEMA

by James Whitlark, Ph.D.

MacDonell, A. A. A History of Sanskrit Literature. New York: Haskell House, 1968.
MacGregor, Rob. Indiana Jones™ and the Peril at Delphi. New York: Bantam, 1991.
__________. Indiana Jones™ and the Dance of the Giants. 1991.
__________. Indiana Jones™ and the Dance of the Giants. New York: Bantam, 1991.
__________. Indiana Jones™ and the Peril at Delphi. New York: Bantam, 1991.
Maguire, Gregory. Confessions of an Ugly Stepsister. New York: Regan, 2000.
Madsen, Dan. The Young Indiana Jones Chronicles™: On the Set and Behind the Scenes. New York: Bantam, 1992.
Magill’s Cinema Annual. Englewood Cliffs, New Jersey: Salem Press, 1986.
Magliola, Robert. Derrida on the Mend. New York: Purdue U, 1984.
Mail, Thomas E. The Mystic Warriors of the Plains. New York: Doubleday, 1972.
Mainzer, Klaus. Thinking in Complexity: The Complex Dynamics of Matter, Mind, and Mankind. Berlin: Springer, 1994.
Malone, Peter. Movie Christs and Anticrhists. New York: Crossroads, 1990.
Mark Johnson. “The Body in the Mind.” In The Bodily Basis of Meaning, Imagination and Reason. 126-36. Chicago: University of Chicago Press, 1987.
Marrill, Alvin H. Movies Made for Television: The Telefeature and the Mini-series 1964-1979. Westport, Connecticut: Arlington House, 1980.
Marriott, John. Batman: The Official Book of the Movie. New York: Bantam, 1989.
Martin, Les. Young Indiana Jones™ and the Secret City. New York: Random House, 1990.
Martin, Les. Young Indiana Jones™ and the Secret City. New York: Random House, 1990.
Martin, Thomas M. Images and the Imageless: A Study in Religious Consciousness and Film. Lewisburg: Bucknell Univ./London: Associated University Press, 1981.
Matthews, John. Ed. At the Table of the Grail. London: Routledge & Kegan Paul, 1984.
__________. The Household of the Grail. Wellingborough, Northamtonshire, England: Aquarian Press, 1990.
Mauro, James. “Bright Lights, Big Mystery.” Psychology Today, 25 (July/August 1992): 54-57, 8-82.
May, John R., and Michael Bird. Religion in Film. Knoxville: University of Tennessee, 1982.
__________. Ed. Image & Likeness: Religious Visions in American Film Classics. New York: Paulist Press, 1992.
McAvennie, Michael. “Indiana Jones’ Latest Crusades.” Comics Scene No. 18 (1991): 13-16.
McCann, Graham. Woody Allen. Cambridge: Polity Press, 1990.
McCay, William. Young Indiana Jones™ and the Circle of Death. New York: Random House, 1990.
__________. Young Indiana Jones™ and the Ghostly Riders. New York: Random House, 1991.
McDonald, Keiko I., Cinema East: A Critical Study of Major Japanese Films. London: Fairleigh Dickinson/Associated University Presses, 1983.
McGuire, Michael. An Eye for Fractals. New York: Addison-Wesley, 1991.
Medich, Rob. “Short Takes.” Premiere 3 (October 1989)” 31.
Meissner, W.W. Psychotherapy and the Paranoid Process. London: Jason Aronson, 1986.
Metz, Christian. The Imaginary Signifier: Psychoanalysis and the Cinema. Translated by Celia Britton, Annwyl Williams, Ben Brewster and Alfred Guzetti. Bloomington: Indiana University, 1982.
Miller, Frank, with Klaus Janson and Lynn Varley. Batman: the Dark Knight Returns. first of 4 volumes. New York: DC Comics, 1986.
Miller, J. Hillis. Fiction and Repetition: Seven English Novels. Camridge, Mass.: Harvard University Press, 1982.
Milne, Tom. The Cinema of Carl Dreyer. New York: A. S. Barnes and Co., 1971.
Minary, Ruth, and Charles Moorman. An Arthurian Dictionary. Chicago: Academy Chicago, 1990.
Miron. Dan. Sholem Aleykhem: Person, Persona, Presencezi. New York: Yivo Institute for Jewish Research, 1972.
Mooney, Edward. Knights of Faith and Resignation: Reading Kierkegaard’s Fear and Trembling. New York: SUNY, 1991.
Morgan, Dylan. The Principles of Hypnotherapy. London: Eildon, 1996. [It appears also on line at http://easyweb.easynet.co.uk/~dylanwad/morganic/]
Morrison, Jim. The American Night. The Writings of Jim Morrision, Volume 2. New York: Vintage, 1991.
Murray, Margaret. The God of the Witches. New York: Oxford Universeity Press, 1952.
__________. The Witch-Cult in Western Europe. Oxford: Clarendon Press, 1921.
Nadel, Alan. “God’s Law and the Wide Screen: The Ten Commandments as Cold War “Epic” PMLA (May 1993): 415—30.
Naisbitt, John, and Patricia Aburdene. Megatrends 2000: Ten New Directions for the 1990’s. New York: Avon, 1990.
Nathanson, Paul. Over the Rainbow: The Wizard of Oz as a Secular Myth of America. Albany: State University Press of New York, 1991.
Nelson, John Wiley. Your God is Alive and Well and Appearing in Popular Culture. Philadelphia: Westminster, 1976.
Neumann, Erich. The Origins and History of Consciousness. Translated by R. F. C. Hull. Princeton: Princeton University Press, 1995.
Newman, Howard . The Exorcist: The Strange Story Behind the Film. New York: Pinnacle, 1974.
Nichols, Peter. The World of Fantastic Films: An Illustrated Survey. New York: Dodd, Mead & Co., 1984.
Nietzsche, Friedrich. “On Truth and Lies in a Nonmoral Sense.” Philosophy and Truth. Translated by Daniel Breazeale. Atlantic Highlands, N.J.: Humanities Press, 1979.
Nijkamp, Peter, and Aura Reggiani. Interaction, Evolution and Chaos in Space. New York: Springer, 1992.
Nordau, Max. Degeneration. London: William Heinemann, 1895.
Nyce, Ben. Satyajit Ray: A Study of His Films. New York: Praeger, 1988.
O’Connor, Garry. The Mahabharata: Peter Brook’s Epic in the Making. San Francisco: Mercury House, 1989.
O'Neil, Dennis. “From the Den,” Batman, #471 (November 1991), [24].
Obeyesekere, Gananath. The Cult of the Goddess Pattini. Chicago: University of Chicago Press, 1984.
Oesterreich, T. K. Possession, Demoniacal and Other: Among Primitive Races, in Antiquity, the Middle Ages, and Modern Times. Secacus, New Jersey: Citadel Press, 1974.
Östör, Akos. The Play of the Gods: Locality, Ideology, Structure, and Time in the Festivals of a Bengali Town. Chicago: University of Chicago, 1980.
Oudart, Jean-Pierre. “Un discours en défaut,” Cahiers du Cinéma 232, October 1971. Translated as “A Lacking Discourse” by Joseph Karmel in Nick Browne, Ed. Cahiers du Cinéma: 1969-1972: The Politics of Representation. Cambridge, Massachusetts: Harvard University Press, 1990: 276-86.
Oughourlian, Jean-Michel. The Puppet of Desire: The Psychology of Hysteria, Possession, and Hypnosis. Translated by Eugene Webb. Stanford, California: Stanford University Press, 1991.
Overdurf, John, and Julie Silverthorn. Training Trances: Multi-Level Communication in Therapy and Training. Portland: Metamorphous, 1994.
Parker, W. Packard. The Puppet Play as a Teaching Tool for Skills in Interpersonal Relations with School-age Children. Thesis, University of Washington, 1976.
Palumbo, Donald. Chaos Theory, Asimov's Foundations and Robots, and Herbert's Dune: The Fractal Aesthetic of Epic Science Fiction. New York: Greenwood, 2002.
___________. “The Monomyth as Fractal Pattern in Frank Herbert’s Dune Novels.” Paper delivered at the 1997 IAFA Conference.
______.“Plots Within Plots … Patterns Within Patterns” Journal of the Fantastic in the Arts 8 (1997): 55—77
Parkins, E. J. Equilibration, Mind, and Brain: Toward an Integrated Psychology. New York: Praeger, 1990.
Parrinder, Geoffrey. World Religions: From Ancient History to the Present. New York: Facts on File Publications, 1983.
Parry, John J. and Margaret Schlauch. Arthurian Bibliography. Vol. 1 (1922-29), Vol. II (1930-1935).
Peary, Danny. Cult Movies: The Classics, the Sleepers, the Weird and the Wonderful. New York: Dell, 1981.
Peraldi, Francois, “Time in ‘The Purloined Letter,’” The Purloined Poe: Lacan, Derrida, and Psychoanalytic Reading. Edited by John P. Muller and William J. Richardson. Baltimore, Maryland: The Johns Hopkins University Press, 1988: 335-42.
Periam, Annina. Hebbel’s Nibelungen: Its Sources, Method, and Style. New York: AMS Press, 1966.
Persons, Dan. “The Fisher King: Terry Gilliam directs Robin Williams and Jeff Bridges in a mythic, modern fable.” Cinefantastique 21 (June 1991): 4-5.
Piaget, J. Structuralism. New York: Basic, 1970.
Philpott, A. R. Ed. Puppets and Therapy. Boston: Plays, 1977.
Pirani, Adam. “Dark Knight Director,” Comics Scene 4 (Series 18, No. 8 1989): 33, 36
___________. “The Lord of Gotham City,”Starlog Yearbook 6 (1990): 40.
Plunka, Gene A. Peter Shaffer: Roles, Rites, and Rituals in the Theater. London: Fairleigh Dickinson University/Associated University Presses, 1988.
Pogel, Nancy. Woody Allen. Boston: Twayne, 1987.
Pollock, Dale. Skywalking: The Life and Films of George Lucas. : New York: DaCapo, 1999.
Portner, Elaine Sharon. A Normative Study of the Spontaneous Puppet Stories of Eight Year Old Children. Dissertation, University of Pittsburgh, 1981.
Potter, Russell A. “Edward Schizohands: The Postmodern Gothic Body” Postmodern Culture 2 (May1992): 1-30.
Prawer, S. S. Caligari’s Children: The Film as Tale of Terror. Oxford: Oxford University Press, 1980.
Praz, Mario. The Romantic Agony. Transalted by Angus Davidson. 2nd ed. London: Oxford University Press, 1951.
Prigogine, Ilya, and Isabelle Stengers. Order Out of Chaos: Man’s New Dialogue With Nature. Toronto: Bantam, 1984.
Prince, Raymond. “Religious Experience and Psychopathology: Cross-Cultural Perspectives.” Religion and Mental Health. Edited by John F. Schumaker. Oxford: Oxford University Press, 1992: 281-90.
Prince, Raymond. Ed. Trance and Possession States. Montreal: R. M. Bucke Memorial Society, 1968.
Pynchon, Thomas. Gravity's Rainbow. New York: Viking Press, 1973.
R. W. B. Lewis, The American Adam: Innocence Tragedy and Tradition in the Nineteenth Century. Chicago: University of Chicago Press, 1955.
Ramachandran, T. M., and Rukmini Ramachandran, ed. 70 Years of Indian Cinema (1913-1983). Bombay: Cinema India-International, 1985.
Rebello, Stephen. “Selling Nightmares: Movie Poster Artists of the Fifties.” Cinefantastique 18 (March 1988): 40-101.
Reid, David. “The Possessed.” In Sex, Death and God in L. A. Edited and with an Introduction by David Reid, 175-224. New York: Pantheon, 1992.
Richards, I. A. The Philosophy of Rhetoric. London: Oxford University Press, 1936.
Richardson, John Adkins. The Complete Book of Cartooning. Englewood Cliffs, New Jersey: Prentice-Hall, 1977.
Richie, Donald. “The Moral Code of Luis Buñuel. In The World of Luis Buñuel. Edited by Joan Mellen, 111-115. New York: Oxford University Press, 1978.
Richie, Donald. Focus on Rashomon. Englewood Cliffs, New Jersey: Prentice-Hall, 1972.
Richie, Donald. The Films of Akira Kurosawa. Berkeley: University of California Press, 1965.
Rickman, Gregg, “Dick, Deception, and Dissociation: A Comment on ‘The Two Faces of Philip K. Dick,’” On Philip K. Dick: 40 Articles from Science-Fiction Studies (Terre Haute: SF-TH, 1992),
Risden, Edward. “Medieval Drama and the Sacred Experience,” Studia Mystica, 14 (Summer/Fall 1991): 74-83.
Ritson, Joseph. Robin Hood: A Collection of all the Ancient Poems, Songs, and Ballads, now Extant, Relative to the Celebrated English Outlaw. London: C. Stocking, 1823; Rpt. Menston, Yorkshire: Scolar Press, 1972.
Robinson, David. “Thank God--I am still an Atheist.” The World of Luis Buñuel, edited by Joan Mellen, 235-43. New York: Oxford University Press, 1978.
Rogers, Robert. The Double in Literature. Detroit, Michigan: Wayne State University Press, 1970.
Ronald R. Lee and J. Colby Martin. Psychotherapy After Kohut: A Textbook of Self Psychology. London: The Analytic Press, 1991.
Rothenberg, Albert. Creativity and Madness: New Findings and Old Stereotypes. Baltimore, Maryland: The Johns Hopkins University Press, 1990.
Rouget, Gilbert. Music and Trance: A Theory of the Relations between Music and Possession. Translated and revised by Brunhilde Biebuyck with Gilbert Rouget. Chicago: University of Chicago Press, 1985.
Roux, Alain. “La musique pop.” Paul Beaud and Alfred Willener. Musique et vie quotidienne: Essai de sociologie d’une nouvelle culture. Paris: Mame, 1973.
Rubin, Bruce. Jacob’s Ladder. New York: Applause, 1990.
Ruble, Raymond. “Dr. Freud Meets Dr. Frank N. Furter.” Eros in the Mind’s Eye: Sexuality and the Fantastic in Art and Film. Edited by Donald Palumbo. New York: Greenwood Press, 1986. Pp. 161-68.
Ruth, Jan-Eric. Creativity as a cognitive construct: the effects of age, sex and testing practice. Dissertation, University of Southrtn California, 1981.
Samuel, Andrew. Jung and the Post-Jungians. New York: Routledge, Kegan & Paul, 1985.
Samuel, Maurice. The World of Sholom Aleichem. New York: Alfred A. Knopf, 1943.
Santillano, Giorgio de and Hertha von Dechend. Hamlet's Mill: An Essay on Myth and the Frame of Time. Boston Gambit, 1969.
Sapir, J. David, and J. Christopher Crocker. Eds. The Social Use of Metaphor: Essays on the Anthropology of Rhetoric. Philadelphia: University of Pennsylvania Press, 1977.
Sargeant, Winthrop. Trans.The Bhagavad-Gita. Foreward by Swami Samatanada. Revised Edition Edited by Christopher Chapple. Albany: State University of New York Press, 1984.
Sato, Tadao. “Rashomon.” In Donald Richie, ed. Focus on Rashomon. Englewood Cliffs, N.J.: Prentice-Hall, 1972.
Schad-Somers, Susanne P. On Mood Swings: The Psychobiology of Elation and Depression. New York: Plenum, 1990.
Schmidt, Gary D. Revue of Visions of Heaven and Hell Before Dante. Edited by Eileen Gardiner. New York: Italica, 1989. In Christianity and Literature, 40 (Winter 1991), 179.
Schrader, Paul. Transcendental Style in Film: Ozu, Bresson, Dreyer. Berkeley: University of California, 1972.
Schwartz, D. A. “A Review of the ‘Paranoid’ concept.” Archives of General Psychiatry 8 (1963): 349-361.
___________. “The Paranoic-Depressive Existential Continuum.” Psychiatric Quarterly 38 (1964): 690-706.
Screen 15, no. 3 (Autumn 1974): 7-32.
Sears, Laurie J. “javanese Mahabharata Stories: Oral Performances and Written Texts.” Boundaries of the Text: Epic Performances in South and Southeast Asia. Edited by Joyce Burkhalter Flueckiger and Laurie J. Sears. Ann Arbor: Center for South and Southeast Asian Studies, 1991: 61-82.
Septuagint with Apocrypha: Greek and English. Edited by Lancelot C. L. Brenton. London: Samuel Bagster and Sons, 1851. Reprint, Peabody, Ma.: Hendrickson, 1986.
Seton, Marie. Portrait of a Director . Bloomington: Indiana University Press, 1971.
Shaffer, Peter. The Collected Plays. New York: Harmony, 1982.
Shapiro, Mark, Chris Henderson, Will Murray, J. Peter Orr, and John Sayers. The Official TERMINATOR 2: JUDGMENT DAY Movie Magazine. Edited by David McDonnell. New York: Starlog, 1991.
Shaw, George Bernard. Saint Joan: a Chronicle Play in Six Scenes and an Epilogue. New York: Brentano's, 1924.
__________. The Collected Screenplays. Edited with an introduction by Bernard F. Dukore. Athens: University of Georgia Press, 1980.
Shay, Don, ed. Making Ghostbusters: The Screenplay, by Dan Aykroyd and Harold Ramis. New York: Zoetrope, 1985.
Shechner, Mark. “Woody Allen: The Failure of the Therapeutic.” From Hester Street to Hollywood: The Jewish-American Stage and Screen. Edited by Sarah Blacher Cohen. Bloomington: Indiana University, 1983.
Sheler, Jeffery L. “Hell’s Sober Comeback,” U. S. News and World Report, 110 (25 March 1991): 56-64.
Shilder, P. The Image and Appearance of the Human Body. London: Kegan, Paul, Trench, Trubner and Co., 1935.
Shipman, David. The Story of Cinema: A Complete Narrative History from the Beginnings to the Present. New York: St. Martin's Press, 1982.
Simon. Ed. The Necronomicon. New York: Avon, 1979.
Sinha, Phulgenda. The Gita As It Was: Rediscovering the Original Bhagavadgita. La Salle, Illinois: Open Court, 1986.
Slusser, George, and Eric S. Rabkin, eds. Shadows of the Magic Lamp: Fantasy and Science Fiction in Film. Carbondale, Illinois: Southern Illinois University Press, 1985.
Smith, Robert C. The Wounded Jung: Effects of Jung's Relationships on His Life and Work. Evanston, Illinois: Northwestern UP, 1997.
Snyder, Edward D. Hypnotic Poetry: A Study of Trance-Inducing Technique in Certain Poems and it Literary Significance. University Park: University of Pennsylvania Press, 1930; rpt. New York: Octagon Books, 1971.
Sobchak, Vivian. “A Theory of Everything: Meditations on Total Chaos.” ArtForum (October 1990): 148.
Sobchak, Vivian. Screening Space: The American Science Fiction Film. 2nd ed rev. New York: Ungar, 1988.
Solomon, Jon. The Ancient World in the Cinema. London: Thomas Yoseloff, 1978.
Spelling, Ian. “Young Indy & The First Crusades.” Starlog. (October 1992): 33-36.
Spiegelman, J. Marvin. “The Oxherding Pictures of Zen Buddhism: A Commentary,” in J. Marvin Spiegelman and Mokusen Muyki. Buddhism and Jungian Psychology. Phoenix, Arizona: Falcon Press, 1985.

Stam, Robert, Robert Burgoyne, and Sandy Flitterman-Lewis. New Vocabularies in FIlm Semiotics: Structuralism, Post-structuralism and Beyond. London: Routledge, 1992.
Stambach, Mira, and Hermina Sinclair. Eds. Pretend Play among 3-Year-Olds. Tranlated by Hermina and Morris Sinclair. Hillsdale, New Jersey: Lawrence Erlbaum Associates, 1993.
States, Bert O. The Rhetoric of Dreams. Ithaca: Cornell University Press, 1988.
Steegmuller, Francis. Cocteau: A Biography. Boston: Little, Brown and Co., 1970.
Stewart, Garret. “The ‘Videology’ of Science Fiction.” Slusser, George, and Eric S. Rabkin, eds. Shadows of the Magic Lamp: Fantasy and Science Fiction in Film. Carbondale, Illinois: Southern Illinois University Press, 1985: 159-207.
Stine, Megan, and H. WIlliam Stine. The Mummy’s Curse. The Young Indiana Jones Chronicles™, No. 1. New York: Random House, 1992.
Stone, Glenn. “The Source.” Young Indiana Jones Chronicles™. 1 (Summer 1992): 7.
Stone, Peter. Moderator. “Landmark Symposium: Fiddler on the Roof.” The Dramatists’ Guild Quarterly 20 (Spring 1983): 17-21.
Stoppard, Tom. Rosencrantz and Guildenstern are Dead: The Film. London: Faber and Faber, 1991.
___________. Tom Stoppard in Conversation. Ed. Paul Delaney. Ann Arbor: University of Michigan Press, 1994.
Strick, Philip. “The Metropolis Wars: The City as Character in Science Fiction Films.” In Omni's Screen Flights/Screen Fantasies: The Future According to Science Fiction Cinema, edited by Danny Peary, introduced by Harlan Ellison, 43-46. Garden City, New York: Doubleday, 1984.
Sullivan, H. S. The Interpersonal Theory of Psychiatry. New York: W. W. Norton, 1953.
Swerdlow, N. R., and G.F. Koob. “Dopamine, Schizophrenia, Mania, and Depression: Toward a unified hypothesis of cortico-striato-pallido-thalmic function. Behavior and Brain Sciences 10 (1987):197-245.

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