Bibliography Part 2 of

THE BIG PICTURE: A POST-JUNGIAN MAP OF GLOBAL CINEMA

by James Whitlark, Ph.D.

Feder, Lillian. “Marlow’s Descent Into Hell,” Nineteenth-Century Fiction, 9 (March 1955): 280-92.
Finch, Christopher. The Making of Dark Crystal: Creating a Unique Film. New York: Holt, Rinehart and Winston, 1983.
Finch, Christopher. Walt Disney's America . New York: Abberville Press, 1978.
Finney, Charles G. The Circus of Dr. Lao. 1935. Reprint. New York: Vintage, 1983.
Fisher, Seymour and S. E. Cleveland. Body Image and Personality. New revised edition. New York: Dover, 1968.
Fisher, Seymour. Body Experience in Fantasy and Behavior. New York: Appleton-Century Crofts, 1970.
Fleisher, Leonore. The Fisher King. New York: Signet, 1991.
Fleming, Michael and Roger Manvell. Images of Madness: The Portrayal of Insanity in the Feature Film. Rutherford: Fairleigh Dickinson University Press/London: Associated University Presses, 1985.
Foucault, Michel. Madness and Civilization: A History of Insanity in the Age of Reason. New York: Pantheon, 1965.
Frakes, Randall. Terminator 2: Judgment Day, A Novel. New York: Bantam, 1991.
Franko, Mark. “Where He Danced: Cocteau’s Barbette and Ohno’s Water Lilies.” PMLA 107 (May 1992): 594-607.
Franz, Marie-Louise von, Projection and Recollection in Jungian Psychology: Relections on the Soul. La Salle: Open Court, 1980.
Freeman, Susan. Indiana Jones and the Temple of Doom™: Official Collectors Edition. Newtown, Connecticut: Paradise Press, 1984.
Freud, Sigmund. “On narcissism.” Complete Works: Standard Edition, 14:69-102. London: Hogarth, 1957.
Friedberg, Anne. “Les Flàneurs du Mal(l): Cinema and the Postmodern Condition.” PMLA 106 (May 1991): 419-31.
Friedman, Lester D. The Jewish Image in American Film. Secaucus, New Jersey: Citadel, 1987.
Friedman, Thomas. Longitudes and Attitudes: Exploring the World After September 11. New York: Farrar Straus Giroux, 2002).
Fry, Christopher. The Bible. New York: Pocket, 1966.
Gabbard, Krin, and Glen O. Gabbard. Psychiatry and the Cinema. Chicago: University of Chicago Press, 1987.
Gabler, Neal. An Empire of Their Own: How the Jews Invented Hollywood. New York: Crown, 1988.
Gado, Frank. The Passion of Ingmar Bergman . Durham: Duke University Press, 1986.
Gandelman, Claude. Reading Pictures, Viewing Texts. Bloominfon: Indiana University Press, 1986.
Genette, Gerard. Palimpsestes: La Littérature au Second Degré. Paris: Seuil, 1982.
Gershon, Elliot S., and Ronald O. Rieder. “Major Disorders of Mind and Brain.” Scientific American 267 (September 1992): 127-133.
Ghazzali, Muhammad Abul Quasem. The Jewels of the Qur’an : al-Ghazali's Theory. London ; Boston : Kegan Paul International, 1977.
Gianakaris, C. J. “A Playwright Looks at Mozart: Peter Shaffer's Amadeus.” Comparative Drama 15 (Spring 1981): 46.
Gilligan, S. Therapeutic Trances: The Cooperation Principle in Ericksonian Hypnotherapy. New York: Brunner/Mazel, 1987.
Girardot, N. J. Myth and Meaning in Early Taoism: The Theme of Chaos (hun-tun). Berkeley: University of California, 1983.
Gish, Lillian, and Ann Pinchot. Lillian Gish: The Movies, Mr. Griffith, and Me. Englewood Cliffs, New Jersey: Prentice-Hall, 1969.
Gish, Lillian. Dorothy and Lillian Gish. Edited James E. Frasher. New York: Scribner, 1973.
Gist, Noel and L. Halbert. Urban Sociology. Rev. ed. New York: Thomas Crowell, 1946.
Gittleman, Sol. Sholom Aleichem: A Non-Critical Introduction. Series Didactica, No. 3. Paris: Mouton, 1974.
Gleick, James. Chaos: Making a New Science. New York: Penguin, 1987.
Goehr, Lydia. The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. Oxford: Clarendon Press, 1992.
Goethe, Johann Wolfgang von. Goethes Werke. I. Hamburg: Christian Wegner, 1948.
Golden, Christopher. Ed. Cut!:Horror Writers on Horror Film. New York: Berkley , 1992.
Goldman, Ari L. “Judaism Affirmed in Church Milestone.” Bible Review 8 (June 1992): 56.
Goldman-Rakic, Patricia S. “Working Memory and the Mind.” Scientific American 267 (September 1992): 111-117.
Goodell, Jeffrey. “Once Upon a Time in America: An Oral History of the Movies, from the Nickelodeon Days to the Die-hard Nights.” Premiere Special Edition (Winter 1991): 35-107.
Goodrich, Norma Lorre. The Holy Grail. New York: HarperCollins, 1992.
Goodwin, James. Akira Kurosawa and Intertextual Cinema. Baltimore: Johns Hopkins University Press, 1994.
Gordon, David. Therapeutic Metaphors: Helping Others through the Looking Glass. Cupertino, California: Meta, 1978.
Gowan, John Curtis. Trance, Art, and Creativity. Buffalo, N.Y.: Creative Education Foundation, 1975.
Grant, Steve. “Much Ado About Mozart,” The Observer, 11 November 1979: 16.
Graves, Clare W. “Human Nature Prepares for a Momentous Leap,” The Futurist (April 1974): 72-87.
__________. "Levels of Existence: An Open System Theory of Values," The Journal of Humanistic Psychology, Fall 1970, Vol. 10. No. 2, pp. 131-154.
Griffin, David Ray, ed. Spirituality and Society: Postmodern Visions. Albany, New York: SUNY, 1988.
Griffin, Nancy. “Manchild in the Promised Land.” Premiere 2 (June 1989): 86-94.
Griffith, D. W., and James Hart, The Man Who Invented Hollywood. Louisville, Ky: Touchstone, 1972.
Grinder, John, J. Delozier, and Richard Bandler, Patterns of the Hypnotic Techniques of Milton H. Erickson, M.D. 2 vols. Cupertino, California: Meta, 1977.
Guerard, Albert. J. Conrad the Novelist. : Harvard University Press, 1958.
Gupta, S. P. Ed. Mahabharata: Myth and Reality. Delhi: Agam Prakashan, 1976.
Guthrie, Lee. Woody Allen: A Biography. New York: Drake, 1978.
Haberman, David. Acting as a Way of Salvation: A Study of Raganuga Bhakti Sadhana. New York: Oxford University Press, 1988.
Haley, Jay, ed., Advanced Techniques of Hypnosis and Therapy: Selected Papers of Milton H. Erickson, M.D. New York: Grune and Stratton, 1967.
________. Conversations with Milton H. Erickson, M.D. 3 vols. New York: Triangle, 1985.
Hammen, John. John Huston. Boston: Twayne, 1985.
Hammond, Phillip E. Religion and Personal Autonomy: The Third Disestablishment in America. Columbia: University of South Carolina Press, 1992.
Hancock, Graham. The Sign and the Seal: The Quest for the Lost Ark of the Covenant. New York: Crown, 1992.
Hansen, Miriam. “The Hieroglyph and the Whore: D. W. Griffith’s Intolerance.” South Atlantic Quarterly, 88 (1989): 361-92.
___________. Babel and Babylon: Spectatorship in American Silent Film. Cambridge, Mass.: Harvard University Press, 1991.
Harding, M. Esther. Psychic Energy, its Source and Goal, with a forward by C. G. Jung, Bollingen Series X, (Washington D. C.: Pantheon, 1948).
Hardy, Phil, Tom Milne, Paul Willemen, eds. The Encyclopedia of Horror Movies. N. Y.: Harper & Row, 1986.
Harner, Michael.The Way of the Shaman: A Guide to Power and Healing. New York: Bantam, 1980.
Harris, Stephen L. Understanding the Bible. Third Edition. London: Mayfield, 1992.
Hauke, Christopher and Ian Alister, Eds. Jung and Film: Post-Jungian Takes on the Moving Image. Philadelphia: Taylor & Francis, 2001.
Harvey, Stephen. “The Mask in the Mirror: The Movies of Jean Cocteau.” Jean Cocteau and the French Scene. Edited by Alexandrea Anderson and Carol Saltus. New York: Abbeville, 1984.
Haseldon, Kyle. Morality and the Mass Media. Nashville: Broadman, 1968.
Hayles, N. Katherine. Chaos Bound: Orderly Disorder in Contemporary Literature and Science. London: Cornell University Press, 1990.
Hayman, Ronald. A Life of Jung. New York: Norton, 1999.
Head, H. Aphasia and Kindred Disorders of Speech. London: Cabridge, 1926.
Hearn, Lafcadio. Kotto and Kwaidan. Boston: Houghton Mifflin, 1922.
Hearts of Darkness: A Filmmaker’s Apocalypse. Paramount, a showtime presentation.
Hebbel, Friedrich. Briefwechsel mit Frunden und berühmeten Zeitgenossen. Edited by Felix Bamberg. Berlin: G. Grote, 1890 (vol. 1); 1892 (vol. 2).
__________. Sämtliche Werke. Vol. 4. Berlin: Behr, 1901.
Heider, Karl G. Ethnographic Film . Austin: University of Texas Press, 1976.
Heinze, Ruth-Inge. “Who are the Shamans of the Twentieth Century?” Proceedings of the Fifth International Conference on the Study of Shamanism and Alternate Modes of Healing held at the St. Sabina Center, California, September 3 to September 5, 1988. Ed. Ruth-Inge Heinze. Berkeley: Independent Scholars of Asia, 1989.
Henkin, Bill. The Rocky Horror Picture Show Book. New York: Plume, 1990.
Hershman, D. Jablow, and Julian Lieb. The Key to Genius. New York: Prometheus, 1988.
Heston, Charlton. The Actor’s Life: Journals 1956-1976. Edited by Hollis Alpert. New York: E. P. Dutton, 1976.
Hickman, Gail Morgan. The Films of George Pal. New York: A. S. Barnes and Co./London: Thomas Yoseloff, 1977.
Hill, Michael Ortiz. Dreaming the End of the World: Apocalypse As a Rite of Passage. New York: Spring, 1994.
Hilton, R. H. “The Origins of Robin Hood,” Peasants, Knights and Heretics: Studies in Medieval English Social History. Cambridge: Cambridge University Press, 1976: 221-35.
Hollwitz, John. “The Grail quens and Field of Dreams.” Jung and Film: Post-Jungian Takes on the Moving Image. Eds, Christopher Hauke and Ian Alister. Philadelphia: Taylor & Francis, 2001.
Holm, Nils G. ed. Religious Ecstasy. Stockholm: Amqvist and Wiksell, 1982.
Holt, J.C. “The Origins and Audience of the Ballads of Robin Hood.” Peasants,Knights and Heretics: Studies in Medieval English Social History. Cambridge: Cambridge University Press, 1976: 236-57.
__________. Robin Hood. Revised and Enlarged Edition. London: Thames and Hudson, 1989.
Howells, John G. The Concept of Schizophrenia: Historical Perspectives. Washington D. C.: American Psychiatric Press, 1991.
Hudson, Liam. Human Beings: An Introduction to the Psychology of Human Experience. London: Jonathan Cape, 1975.
Hughes, Eileen Lanouette. On the Set of Fellini's Satyricon. New York: William Morror, 1971.
Hunt, Harry T. and C. Popham. “Metaphor and states of consciousness: A preliminary correlational study of presentational thinking.” Journal of Mind and Behaviour, 11 (1987): 83-100.
Hunt, Harry T. The Multiplicity of Dreams: Memory, Imagination, and Consciousness. New Haven: Yale University Press, 1989.
Hurley, Neil P. Theology Through Film. New York: Harper & Row, 1955.
Huston, John. An Open Book. New York: Alfred A. Knopf, 1980.
Huxley, Aldous. The Devils of Loudun. Introduction by Felice Harcourt. London: Folio Society, 1986.
Izod, John. The Films of Nicolas Roeg: Myth and Mind. New York: St. Martin’s Press, 1992.
Izutsu, Toshihiko. “The Absolute and the Perfect Man in Taoism.” Eranos-Jahrbuch. Zurich: Rhein, 1968.
Jackson, Stanley W. Melancholia and Depression: From Hippocratic Times to Modern Times. New Haven: Yale University Press, 1986.
Jacobsen, Thorkild. The Harps that Once . . .: Sumerian Poetry in Translation. New Haven: Yale University Press, 1987.
__________. The Treasures of Darkness: A History of Mesopotamian Religion. New Haven: Yale University Press, 1976.
Jakobson, Roman. Selected Writings. Paris: Mouton, 1971.
James Lackner and Merrill Garrett, “Resolving Ambiguity: Effects of Biasing Context in the Unattended Ear,” Cognition 1 (1973), pp. 359-72.
James, Tad, Lorraine Flores, and Jack Schober. Hypnosis: A Comprehensive Guide. London: Crown House, 2000.
James, William. Varieties of Religious Experience. Cambridge, Massachusetts: Harvard University Press, 1985.
Jameson, Fredric. “Postmodernism and Consumer Society.” In The Anti-Aesthetic: Essays on Postmodern Culture. Ed. Hal Foster. Port Townsend, Washington: Bay Press, 1983.
Jamison, Kay R. “Mood Disorders and Patterns of Creativity in British Writers and Artists,” Psychiatry 52 (1989): 125-34.
Jankiewicz, Pat. “The Dark Knight Revised,” Comics Scene 1 (July 1990): 48.
Jaynes, Julian. The Origin of Consciousness in the Breakdown of the Bicameral Mind. Boston: Houghton Mifflin, 1976.
Jenkins, Stephen. Fritz Lang: The Image and the Look. London: British Film Institute, 1981.
Jenson, Robert W.The Knowledge of Things Hoped For; The Sense of Theological Discourse. London: Oxford University Press, 1969.
Johnson, Robert A. He: Understanding Masculine Psychology, Based on the Legend of Parsifal and his search for the Grail, using Jungian psychological concepts. Foreward by Ruth Tiffany Barhouse. Introductory Essay by John A. Sanford. New York: Harper & Row, 1974.
Johnson, Robert K. Francis Ford Coppola. Boston: Twayne, 1977.
Jones, G. William. Sunday Night at the Movies. Richmond: John Knox, 1967.
José Ortega y Gasset. The Dehumination of Art and Other Writings on Art and Culture. Garden City, New York: Doubleday, n. d.
Josipovici, Gabriel. “The Bible: Dialogue and Distance.” In Ways of Reading the Bible, edited by Michael Wadsworth. 133-53. Sussex: The Harvester Press/New Jersey: Barnes and Noble, 1981.
Julian Jaynes, The Origin of Consciousness in the Breakdown of the Bicameral Mind . Boston: Houghton Mifflin, 1976.
Jump, Herbert. The Religious Possibilities of the Motion Picture. New Britain, Conn.: [Printed for private distribution by the Congregational Church], 1910.
Jung, Carl G. Gesammelte Werke. 20 vols. Zürich: Rascher, 1959—1967. The Collected Works. Edited by Gerhard Adler, Michael Fordham, and Herbert Read. William McGuire, executive editor. Translated by R. F. C. Hull (volume 1 was translated by Leopold Stein in collaboration with Diana Riviere). The entire edition constitues Bollingen Series 20. 1953—67: Reprint. New York: Pantheon /Bollingen Foundation/Princeton University Press, 1967—79.
___________. “Psychological Commentary.” The Tibetan Book of the Dead. Compiled and edited by W. Y. Evans-Wentz. Translated by Kazi Dawa-Samdup. London: Oxford University, 1960.
____________. , Letters, Vol. 2, Bollingen Series. Princeton University Press, 1973.
Jung, C. G. and M. -L. von Franz, eds., Man and his Symbols. Garden City, New York: Doubleday, 1964.
Kaminsky, Stuart. John Huston: Maker of Magic. Boston: Houghton Mifflin, 1978.
Karen, Howard. “Bungle in the Jungle.” Premiere Special Edition (Winter 1991): 96.
Kasdan, Lawrence. Raiders of the Lost Ark: The Illustrated Screenplay. Introduction by Steven Spielberg. New York: Ballantine, 1981.
Kawin, Bruce F. Mindscreen: Bergman, Godard, and First-Person Film. Princeton, New Jersey: Princeton University, 1978.
_________. Telling It Again and Again: Repetition in Literature and Film. Ithaca, New York: Cornell University Press, 1972.
Kazantzakis, Helen. Nikos Kazantzakis. New York: Simon and Schuster, 1968.
Kazantzakis, Nikos. Buddha. Translated by Kimon Friar and Athena Dallas-Damis. San Diego: Avant , 1982.
__________. Japan/China. New York: Simon and Schuster, 1963.
Kazantzakis, Nikos. The Last Temptation of Christ. Translated by P. A. Bien. New York: Simon and Schuster, 1960.
Keen, Maurice. The Outlaws of Medieval Legend. Toronto: University of Toraonto Press, 1961.
Kermode, Mark. The Exorcist. 2nd ed. London: British Film Institute, 1998.
Kevelson, Roberta. Inlaws/Outlaws: A Semiotics of Systematic Interaction: “Robin Hood” and the “King’s Law.” Bloomington: Inidana University Press, 1977.
Keyser, Les and Barbara. Hollywood and the Catholic Church: The Image of Roman Catholicism in the Movies. Chicago: Loyola University Press, 1984.
Kierkegaard, Søren. Repetition: An Essay in Experimental Psychology. Translated by Walter Lowrie. New York: Harper, 1941.
Kilgore, John. “Sexuality and Identity in The Rocky Horror Picture Show.” Eros in the Mind’s Eye: Sexuality and the Fantastic in Art and Film. Edited by Donald Palumbo. New York: Greenwood Press, 1986. Pp. 151-59.
Kinnard, Roy, and Tim Davis. Divine Images: A History of Jesus on the Screen. New York: Citadel Press, 1992.
Kissel, Howard. “Amadeus,” New York Theater Critics' Reviews, 1980: 66-67.
Kleist, Heinrich von. “Über das Marionettentheater,” translated by Eugene Jolas. In Vertical. New York: Gotham Book Mart, 1941.
Knight, Arthur. The Liveliest Art: A Panoramic History of the Movies. Revised Edition. New York: Mentor: 1979.
Kohut, Heinz. “Forms and Transformations of Narcissism.” In Affect, Imagery, Consciousness, edited by Tomkins Sylvan, vol. 1, 97-123. 2 vols. New York: Springer, 1966.
Kolk, W. Richard and Robert A. Lerman. Nonlinear System Dynamics. New York: Van Nostrand Reinhold, 1992.
Korzybski, Alfred. Science and Sanity; an Introduction to Non-Aristotelian Systems and General Semantics. 4th ed., with new pref. by Russell Meyers. Lakeville, Conn., International Non-Aristotelian Library Pub. Co.; distributed by Institute of General Semantics, [1958].
Kracauer, Siegfried. From Caligari to Hitler: A Psychological History of the German FIlm. Princeton, NJ: Princeton University Press, 1947.
Kroker, Arthur, and David Cook, The Postmodern Scene: Excremental Culture and Hyper-Aesthetics. New York: St. Martin’s Press, 1986.
Kugler, P. The Alchemy of Discourse. Lewisburg, Pa.: Bucknell University Press, 1981.
Kuhns, William. The Electronic Gospel: Religion and the Media. New York: Herder & Herder, 1969.
Kundera, Milan. Immortality. Translated by Peter Kussi. New York: Grove Weidenfeld, 1991.
Kurosawa, Akira. Akuma no Yo ni Saishin ni: Tenshi no Yo ni. Daitan ni: Tokyo: Toho, 1975.
__________. Rashomon. New York: Grove, 1969.
Kyrou, Ado. Luis Buñuel: An Introduction. Translated by Adrienne Foulke. New York: Simon and Schuster, 1963.
Lacan, Jacques. “Seminar on The Purloined Letter.” In The Purloined Poe: Lacan, Derrida, and Psychoanalytic Reading. Edited by John P. Muller and William J. Richardson. Baltimore, Maryland: The John Hopkins University Press, 1988.
Lacan, Jacques. Ecrit: A Selection. Translated by Alan Sheridan. New York: W. W. Norton and Co., 1977.
LaGravenese, Richard. The Fisher King: The Book of the Film. Introduction by Terry Gilliam.
Lame Deer, John, and Richard Erdoes, Lame Deer, Seeker of Visions. New York: Simon and Schuster, 1972.
Larson, “Amadeus: Shaffer's Hollow Men,” The Christian Century, 20 May 1981: 23-24.
Laski, M. Ecstasy. Bloomington: Indiana University Press, 1962.
Lawton, Anna. “Art and Religion in the Films of Andrei Tarkovskii.” Christianity and the Arts in Russia. Edited by William C. Brumfield and Milos M. Velimirovic. Cambridge: Cambridge University Press, 1991
Lax, Eric. Woody Allen: A Biography. New York: Alfred A. Knopf, 1991.
Lee, Ronald R., and J. Colby Martin. Psychotherapy After Kohut: A Textbook of Self Psychology. London: The Analytic Press, 1991.
Lee, Will. “Burning Question.” Entertainment Weekly, 26 Nov. 1999:13
Levaco, R. “Eikhenbaum, Inner Speech and Film Stylistics,” Screen, 15 (1974/75): 57.
Lévi-Strauss, Claude. The Savage Mind. Chicago: University of Chicago Press, 1966.
Levin, David J. Richard Wagner, Friz Lang, and the Nibelungen: The Dramaturgy of Disavowal. Princetpn: Princeton Unjversity Press, 1998.
Levitt, Morton P. The Cretan Glance. Columbus: Ohio State University, 1980.
Loomis, Roger Sherman. The Grail: From Celtic Myth to Christian Symbol. New York: Columbia University Press, 1963.
Lorenz, Edward. The Essence of Chaos. Seattle: University of Washington Press, 1993.
Lucas, George. A Facsimile of the Complete Script: Star Wars: Episode I: The Phantom Menace. New York: Ballantine, 2000).
___________.“Indiana Jones and Me.” Tv Guide 40 (29 February 1992): 2-5.
Lynn, Kenneth S. “The Torment of D. W. Griffith,” American Scholar (Spring 1990): 255-64.

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