The Underlying Graves-Level 7 and 8 Themes in the Terminator Series
by Nathan Webb
As illustrated in the "General Overview" section of this website dealing
with temporal matters (Introduction to Human Threshold Systems), time becomes
as complex as all other relationships and interdependencies as one progresses up
the ladder of the Graves spiral. The interlationships are easy enough to visualize
at levels 1 through 6, because no matter how many timelines there become, the shape
and flow properties remain fundamentally the same. It is only at levels 7 and 8
that linear time becomes inadequate to describing the state of the universe. Questions
of the importance of sequence and decision come into play, because one realizes that
it is not with time that the universe changes any more than it is with space that
the universe ages. Time is just another dimension of existence to be taken into
account, just like latitude, longitude, and altitude. Time becomes a map rather
than a flow-diagram.
To illustrate this point, let’s look at a popular movie series:
Imagine a straight, linear timeline with no loops or feedback,
just the straight progression from past to present to future, where all things move
within the currently established flow. We'll call it timeline zero, the unaltered
timeline. On this timeline, humans created the ultimate artificial intelligence weapon,
it became sentient, tried to take over the world, but the humans fought back and
destroyed the AI's hegemony. There happened to be a man leading them, and for argument's
sake we'll call him John.
This is timeline zero, the unaltered timeline, so John could not
have known anything extraordinary, could not have had any knowledge before-hand that
it was not possible for him to know in the un-altered timeline.
The AI (we'll call it Skynet), having been defeated, uses its last
resources to send a terminator back through time to kill John before he is born.
However, the terminator fails, and John's mother is alerted to the coming war, so
she trains John for it.
But what if they had succeeded? Well, in timeline zero, there really
wasn't anything special about John. He didn't have his mother's training, because
Skynet hadn't sent a terminator back through time yet. So if the terminator had succeeded,
another general would have taken his place, and had the same chance of beating Skynet
as John did. So then, they would have had to send another terminator back for that
one. And the process would repeat itself until the war was moved to 1984, with terminators
running around everywhere killing everyone they could get their hands on. This would
have distracted the designers of Skynet, preventing or postponing the rise of Skynet,
and moving us to yet another timeline of events. But separated from their mother
mind, the machines would have been at a disadvantage in the past, and would have
lost.
So far, then, Skynet loses.
Now we're on timeline 1, the timeline where John has received his
mother's training because of the failure of the first terminator. He wants to stop
the war, so he blows up the site where Skynet was developed in timeline zero; however,
this only postpones the rise of Skynet, because AI research is hot, especially in
the military, and, as with his own general commission in the future, if he blows
up one site, another will rise to take it's place.
So far, there is a war.
We are now in timeline 2. So far, everything Skynet has done has
moved the times and places of battles, but has not changed the outcome of the war.
Everything John does moves the times and places of battles, but has not prevented
the war. There is a war, Skynet loses.
Why is that?
For several reasons. One thing Skynet is doing admirably (and
the humans to their credit picked up the same strategy quickly) is treating time
as another terrain on which battles can be fought. However, both sides made the
faulty assumption that time was the meta-system, rather than just another dimension.
Skynet lost the battle in three-dimensional space, so they took it into the realm
of time, thinking they were appealing to a meta-system.
Also, basic physics caught up with them: for every action, there
is an equal and opposite reaction: Skynet's attempts to win the war make the humans
stronger, and John's attempts to prevent the war only postpone it.
So with all this confusion over meta-systems and dimensional time,
when and where did the war come into existence?
At first, timeline zero. The existence and outcome of this war
was woven into the tapestry of the universe in every possible timeline, because of
the events in timeline zero which set the temporal “meta-war” into place. The war
could only have been prevented in timeline zero, and skynet could only have won in
timeline zero–because timeline zero was when/where all the crucial decisions were
made. But once time travel came into play, so did other timelines, but by then, the
tapestry was woven and the story was written. In Graves 7 terms, the boxes were opened
in timeline zero, and Skynet's cat was dead, for all eternity and throughout the
universe. In other words, there was a meta-system in play, and neither Skynet nor
John Connor were successful in accessing it to change the pattern of the weave.
And when so many timelines flow together like that, you can’t change one thread
and expect it to make the tapestry tell a different story. You have to take it apart
and re-weave it. Or, to use the time soup metaphor, you’ve already seasoned the
pot. The only way to change the flavor of the soup is to start over. Skynet thought
they were going back in time and cooking the soup differently, when in fact what
they were doing was adding a little more jalepeno to cover over the taste of the
cilantro.
If you step off the plane of time and go up above it, and take
it in all at once, you can see every battle that took place in the war, where and
when it was fought, on what timelines, and what the outcome was, but the story remains
the same. There is a war, and Skynet loses.
So any 7 can see the patterns laid herein, and probably is duly
amazed by their complexity. However, an 8 will look at this pattern and ask himself
or herself what needs to happen to actually prevent the war, or conversely to help
Skynet to win it. An 8 on such a mission would first have to have the 7 understanding
of this pattern, and would have to change the whole tapestry rather than weaving
in more and more timelines. The implication is an 8 has to do this job from outside
time, not traveling through it and therefore limited by it. An 8 has to fall back,
take in the whole tapestry, and figure out how to re-weave it–a much more complex
and skillful task than just pulling out one thread. What this means is the 8 has
to have a clear picture in his or her mind what the new tapestry will look like–easy
if you’re doing an actual two dimensional tapestry, but much harder if you’re constructing
a universe with three dimensional space and God-only-knows what kind of time. For
one thing, it requires a point of view meta to the universe. The 8 then has to figure
out how all the complex linear timelines fit together to make the picture he or she
is envisioning.
Needless to say, this is a daunting task for any human. Therefore,
the only way to get it to happen is with the agreement of God and the universe.
In fact, the meta POV is only possible with such agreement, because the universe
and God have to actually lend the 8 energy to keep the POV from overloading the poor
mortal human. This process is roughly akin to temporarily imbuing a monkey with
the ability to do triple-integrals on MathCad on a PC.
Neither Skynet nor John would have been capable of such a feat,
because both had to operate on the battlefields they were given. Neither were capable
of pulling up out of the timelines and off of the 3D chessboard of space, so they
both had to settle for working in a system where boxes were already opened and decisions
were already made.